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THE ALLOVER AND NEARLY ALLOVER LACE VEIL

One question I've been hearing a lot lately is, "How do I actually wear an allover lace veil?"
The answer to that is, "Let me count the ways." Lace veils can be tied like a cloche, dropped, wrapped like a scarf or simply tacked to the back of your head to flow in a swirl down your back. Truth is, your possibilities are almost endless.  Starting here,the most important thing to remember is, take the initiative to explore and above all be inventive!
The first time I ever laid eyes on a crocheted veil was 7 Thanksgiving Eves back  when a friend  married a woman who crocheted her own.  I was as impressed with her creation as I am the veil above featured in Harper's Bazaar Russia// via Tumblr
A combination scarf/cloche veil  has an Early 20th Century feel///veil by Cheryl Taylor of Taylor Clarke Bridals - Photo by by Rylee Hitchner via OnceWed
 A heaping helping of lace mantilla/// photo by Elizabeth Messina via Love Wed Bliss
                                           An embroidered lace veil dropped over a crown in typical Spanish tradition/// Photo Tec Petaja via Once Wed
A lace drop veil is secured low on the forehead with a headband sporting two mauve roses///From The Gatsby's Bride Collection by Amy-JoTatum
Peau d'ange lace borders a veil paired with a dress by Paolo Sebastian via Bridal Musings
In traditional Spanish fashion a lace mantilla is dropped over the head--in this case over a rather large rose. Brilliant!  Gorgeous!  Basaldua of Madrid. 

Ah but there's nothing like a great image to inspire. Below are some pinterest boards that had me at hello!
Love My Dress Blog//Veils
Polka Dot Bride//Of Veils and Headpieces

The link to all veil boards on Pinterest 


If you'd like to read more about veils and further in depth, I've written a ton of posts about the subject.  Here are  links to 3 of them to get you started . . . .

THE LONG VEIL PRIMER


 Long veils convey a romantic mood via all that added gossamer sheer.  . . . . .Women who  go traditional sporting the full regalia of a classic bride typically love those long, flowing veils. So what you ask is considered a long veil? Let's start at the ‘finger tip’ length and work all the way down to the twenty-five foot cathedral.veil.

Long Veil Lengths
Fingertip-Most popular length; can be worn by nearly every figure type with most silhouettes.
           Waltz-Falls anywhere between knee and ankle.
          Chapel-Considered formal. Extends about a two feet beyond the hemline.
          Cathedral-Most formal. Extends three feet or more beyond the hem.
          Double Tier-Two layers, typically the shorter one a blusher but not always.  
 
Long Veil Styles
Pouf-Pictured directly below, width of veil is gathered at the crown and can be attached to a headpiece. Generally made out of tulle or English netting.
Dropped-Second picture below. This veil is actually dropped onto the head in a single layer of tulle or lace; often bordered with lace or ribbon. The Mantilla is a type of dropped veil.
Fingertip
Waltz Length
Mantilla
Cathedral Length

All veils and gowns by Amy-Jo Tatum Bride
Top  photo by S1 Studio.  White Chantilly lace mantilla
                                3rd photos by Stellar Q Danielo: Ivory tulle cathedral length veil
                        Last four photos by Piximage: Ivory fingertip veil//White two layered waltz veil outlined in ribbon// ivory  Chantilly lace mantilla//Single layer cathedral legnth veil dappled in Chantilly lace appliques

PORTRAITS IN CHANTILLY

You can always recognize Chantilly lace by its delicate background and intricate detail. Named after the town in France where its still made, the patterns originating in the 18th century are to this day, still time-honored and manufactured.  My favorite of all laces, Chantilly is fragile and romantic.  It can be used as an allover lace or touches of it here and there on bodices, skirts and sleeves.  Chantilly has always been synonymous with the finest in bridal wear from dresses to veils and accessories . . .
The perfect customizing for a simple gown, this three-tiered lace jabot has matching ruffle gauntlets all tied together with polka-dot grosgrain ribbons and  a cameo

A Chantilly lace bordered mantilla worn with a bouffant tulle dress with lace bodice . . .
 Crepe and Chantilly lace are the perfect duo here for a gown reminiscent of the Golden Age of Hollywood

This bodice is appliqued in Chantilly lace with shirred tulle overlaid
The kick pleat in the back of this silk dupioni gown is a gathered inset of Chantilly lace

 This repro tea gown harks back to the Art Nouveau period. Chantilly lace covers the bodice and borders an asymmetrical tulle skirt

This is a perfect  Boho piece in a mix of  Chantilly laces, chiffon and brocade gold  belt
True vintage.  Another tea gown in a mix of Chantilly laces

CLASSIC TO CUTTING EDGE


How about a little time honored  tradition mixed in there with some of  the most cutting edge looks in bridal fashion?  Our canvas for this editorial is the pastoral Presidio Riding Stables out at Fort Cronkite in San Francisco.  My friend,  Samantha Smith who is a lifestyle and fashion photographer developed this lovely rustic theme.    When we got together to toss around concept, we knew we wanted horses, plenty of countryside and distressed old barns that look like they are about to collapse any minute.  The juxtapose of these elements seems  to accentuate the luxurious fabrics and laces.  What the whole crew who worked this shoot loved most was the incredibly gorgeous the day and how the natural light brought out the best in these pieces.  Kudos to  all who participated in creating this stunning inspiration.

Photography Samantha Smith
 Dresses and veils byAmy-Jo Tatum
Black headpiece by Jeanne Simmons from The Village Flamingo
Makeup Julianne Chai of Pretty by Julianne
Models: Laura and Clara


 













VEILED


CREDITS
Photography . . . . . . Pixaimage Photography
Veils and gowns . . . . .Amy-Jo Tatum
Makeup . . . . . . . . . Necia Whitmore
Hair. . . . . . . . . Kao Vey Saephanh
Models . . . .. .. . . .Janelle Mills and Libby Gale
Venue . . . . . . . . .San Domenico, San Anselmo, California

 Since Chelsea Clinton's wedding last July, classic veils are suddenly taking the spotlight once again. We wanted to  capture the essence of the traditional bride in all her romantic and time-honored splendor.   From the ethereal beauty of the drop veil to the small tulle head pouf, here is the 2011 veil collection . . . .

 Above: Waltz length double layered white tulle edged in satin ribbon
Going retro doesn't necessarily mean sticking to a particular era. Above, a 30s gown is paired up with an authentic vintage 60s veil. Layers of tulle attached to a lace and jewel embellished Juliet cap give this bride a timeless look.
      

 A gown with exquisite back details like the one above calls for a shorter veil like the petal or fly away in gathered tulle tacked to the back of a chignon.
 Directly above and below: The most dramatic of all veils, the Cathedral veil.  Above is a double layered ivory tulle edged in satin ribbon.  Below: White tulle with Chantilly lace motifs dappled all over . . .

The fingertip style veil above has long been the most popular length for brides as it goes with just about any style dress. Here we've matched it up with traditional ivory lace and taffeta.

 
Contemporary brides love the new tulle poufs.  Easy to wear, they go from ceremony to reception. with no adjustments and are tres chic . . . 

Above: Silk gauze drop veil floor length drop veil can be wrapped as a shawl; Below: A 3-yard galloon of Chantilly lace makes the perfect 20s style cloche-cap style veil to pair up with a vintage lace gown. 

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